If I feel inspired, I will note something about the book itself, or the reading experience.
I am posting this today, so it's obviously incomplete (I'm starting it on February 3). I will be updating the list regularly. There will be a link to this page on the RH side of the blog, and I may remind you from time to time to check back.
I've also decided to arrange this in blog-fashion, from end to beginning, with the current month shown first.
May
Sarah, Plain and Tall, Patricia MacLachlan
from our shelves
* A short-ish chapter book that I remember reading as a child. Quietly compelling. Youngest (age 5) had trouble keeping track of who Sarah was. Maybe because the idea of someone coming to replace a dead mother was too difficult? We are having trouble finishing chapter books these days, so went with this very short one. This month we started but did not finish
The Birchbark House, by Louise Erdrich, but the structure proved too complex for my 5 and 7 year-old. The names kept changing (sometimes the grandmother was called grandmother, sometimes by her actual name), there were too many characters, and the language and sentence structure were too sophisticated -- made me appreciate the simplicity of the Little House series, which may be why it works so well for reading aloud, even to young children. (Note: my 10-year-old loved Louise Erdrich's Birchbark series.)
My Life Among the Apes, Cary Fagan
bought at Bryan Prince Bookseller after reading with the author at GritLit in Hamilton
* Stories, long-listed for the Giller. I thoroughly enjoyed this reading experience. The stories are quiet, the telling plain and unadorned, and never frenetic or showy or rough or troubling. I appreciated them, and admired their clean structure and tone, but having come a small distance away from the book, I now wonder whether their tidyness makes them almost slightly forgettable. Like I need an edge to cut me a little bit. That said, I would recommend this book.
Roost, Ali Bryan
bought at WordsWorth Books, on recommendation from Pickle Me This who had quite a different take than I did, so read her review too
* A Canadian comedy. Though I LOLed on two occasions, and got teary on another, it wasn't enough for me. I'm hard on books, let's be honest. I write them myself--it makes me a tough critic. This is one of those dreaded plotless books beginners are always being told not to write (or not to publish anyway, since writing them is inevitable and probably the only way to learn how not to). Writing a cynical, sarcastic mom is a tough task, and the main character is difficult to like. The scenes of domestic chaos are realistic, but that didn't make them funny--it made them too close to my own reality, while failing to illuminate in any special or interesting way. When I compare this book to the really funny Financial Lives of the Poets I read earlier this year, it's not a fair game. One is shallow and incomplete, the other structurally sophisticated and timely. I probably really didn't like Roost because it reminded me of the failings of my own "Canadian comedy," a manuscript I keep adding to and subtracting from, but know will never be good enough to publish. Oh how I wish I could write comedy like Jess Walter. I'll keep trying. Maybe Ali Bryan should keep trying to. The good stuff takes practice.
April
The Sense of an Ending, Julian Barnes
borrowed from the library
* Good book. Really good. Highly recommend. Haven't read Barnes since Flaubert's Parrot, and I'd forgotten how excellent he is with form, how creative yet lucid. It's amazing what he leaves out. More amazing how he brings the reader around to what feels like a full understanding of character. The ease of the structure blew my mind. It doesn't fit into a novel-writing rubric. I've said nothing about what the book's about, but it doesn't actually matter -- content is British, almost conventional, a surprise ending. But it's the telling that makes the book terrific.
This Is How You Lose Her, Junot Diaz
husband bought at WordsWorth Books after being mistaken for the author at a party at a writers' festival last fall
* I loved this book. Couldn't put it down. Short stories, loosely linked, totally not advertised as such. I loved the Spanish slang, the pacing, the universal sadness, how the characters move between the country of their birth and the country that is now home. The writing can be profane and explicit, and the main characters are young men who cheat compulsively, none of which would seem to make it a book I'd relate to, but there it is. This is a good writer. I didn't feel like he was trying, stylistically, to be anything but himself.
Seal up the Thunder, Erin Noteboom
bought at WordsWorth Books for poetry book club
* Must read it again before book club meets on Friday, but these poems moved me deeply, stirred me deeply. Loosely based on Biblical texts, with a focus on God as creator and destroyer, it made me consider the human desires to create and to destroy. I wonder whether some young men are drawn to murder because they lack the power to create, whereas women's bodies have the capacity to bear life. That's probably a simplistic analysis, but it has some power. God, therefore, must be male and female. I loved the poem where she named God "Endless." The poems measure human life against eternity. They grab at some deep ache inside of me that knows how temporary this existence is.
On the Banks of Plum Creek, Laura Ingalls Wilder
copy from our shelves
* One of my favourites in the series. So much drama and tension, and there's real craft in the storytelling: the grasshoppers, the debt. I've decided the parents are both idealized figures, but nevertheless I admire Ma's calm and strength despite and amidst disaster and blizzards and Pa's restlessness. The story does not match up accurately with Wilder's real life: during the time period described, a baby brother was born and lived for nine months, but his birth, life, and death would have complicated the story in ways that Wilder must have decided did not fit with the tone. Instead, she offers the heart-wrenching story of Laura's doll being taken from her by a selfish neighbour child, and Laura finding it weeks later frozen in a puddle, bringing the doll home, Ma's apology and her help in restoring the doll. I still recall the power of that loss as I experienced it as a child, and as an adult, I recognize Ma's regret at minimizing the importance of the doll to Laura. A small incident, but deeply affecting.
A Homemade Life, Molly Wizenberg
copy borrowed from library, recommended by web content manager at House of Anansi
* Might have to buy a copy now: recipes combined with memoir, by a well-known food blogger. The memoir is entertaining (although the writer seems awfully young, which she is!), but I'd buy it for the recipes. I made her "custard-filled cornbread" for supper last night and EVERYONE loved it.
Reconceiving Midwifery, Ivy-Lynn Bourgeault, Cecilia Benoit, Robbie Davis-Floyd
copy borrowed from library, recommended by friend who is a midwife
* read all essays specific to Ontario midwifery. It put into perspective the changes that have happened since legislation and regulation (1994), and gave me a better understanding of the origins of midwifery as a political/feminist movement. Good info as I prepare for the interview process at McMaster, although dated now, as the book was published in 2004. Also: makes me wonder how the pre-legislation midwives feel about the changes that have come about?
March
Mimi Power and the I-don't-know-what, Victoria Miles
copy sent by the author, who found me through my blog
* I warned the author that I don't review books on my blog, but she thought my family might like her gentle, warm, and funny offering, and she was absolutely right. Both of my eldest kids read it (girl, age 10; boy, age 11), and I read it, and I've now passed it onto to the 7-year-old who is reading everything she can get her hands on right now. The book is illustrated, the chapters are short, and the characters are genuine. The plot is simple, but not simplistic, and it's a pleasing and truly funny glimpse of family life, from the perspective of a 9-year-old girl. Highly recommended.
Horoscopes for the Dead, Billy Collins
re-read in preparation for poetry book club
* The poems had more depth and meaning on second reading; I should always read books of poems more than once. There was still no knock-out poem in the book, for me, but there were moments of poignance and beauty and care. Still, I think Collins may be in a position where he can publish anything without anybody suggesting he wait a bit and let things percolate, and that's a dangerous position for a writer (although wouldn't we writers all love to be in a such a position!).
The Inconvenient Indian, Thomas King
purchased and read on my Kobo, but again I regret not having a hard copy to pass along; if I keep buying all my Kobo reads in book form this could get very expensive!
* I loved this book and had to keep talking about it to my husband as I was reading it; I felt so damn uneducated on the subject of First Nations/Indians in North America, from history to present day, but after reading Little House on the Praire was desperate for a different viewpoint, and all I can say is: I'm sorry! I'm sorry for not knowing, for making assumptions and being ignorant of history, and I'm sorry that the white-European culture of which I am most definitely a part never tried to learn from the people who were living here first, and simply assumed we'd arrived in order to improve and educate (and possibly to eradicate, given our actions) -- and that we still make the assumption; Tom King's gentle and funny tone is just perfect, somehow, he entertains even as he makes his point, and his point is: Stop asking what Indian people want and ask instead, What do White people want? Because that is the history of White/Indian relations. White people want land, always have, always will -- and it's true, isn't it? We're still finding reasons to take land and use it to make money, whether we're building pipelines or decimating forests.
Little House on the Prairie, Laura Ingalls Wilder
copy from our own shelves, bought at a used bookstore about a decade ago
* read to the little kids, as I'd read to the bigger ones a few years back; Pa remains an inscrutable and unpredictable character, and I suspect him of not being a wise decision-maker; the older kids listened in often, and were horrified by the blatant racism toward the Indians, even by the most sympathetic character (Pa); we really could hardly stand to read it, and I felt compelled to keep mentioning that this was a raw and real lesson in the kind of prejudice Indians had faced, and this is part of our history, too, but it
almost ruined the book for us; I've found the perfect antidote and will be reading Tom King's The Inconvenient Indian next, and reporting tidbits to the kids; CJ was terribly upset about the family having to leave the cow and calf behind, never to be seen again; it's gut-wrenching for my settled children to imagine leaving their home and possessions behind in an instant, but Laura sees it as an adventure
The Real James Herriot: A Memoir of My Father, Jim Wight
copy has sat unread on our shelves for 12 years since I picked it up as assistant books editor at the National Post (we did not choose to review it)
* father did not pass onto to son his writing talents, and son had some personal axes to grind, but I perservered, curious to know how this remarkable writing career came to be; interesting that the real James Herriot (his name was Alf Wight) struggled to make ends meet as a vet, but became wealthy as an author, which is not a trajectory I could imagine for myself; he worked hard at writing, that seemed obvious, and he didn't like being famous, not at all
Horoscopes for the Dead, Billy Collins
purchased at Words Worth for poetry book club
* kept waiting for that knock-out poem to appear; many poems started promisingly, then veered into what seemed asides rather than epiphanies; felt almost too loose, too casual, and maybe not funny enough to compensate; will have to read again before book club meets to discuss in March
The Tale of Despereaux, Kate DiCamillo
purchased at Words Worth using coupon sent home from the kids' school: the book is their One Book One School choice this year; read not to kids, but to myself, in preparation for leading a workshop at the school on characterization
* DiCamillo's "dear reader" tic really grated on me; I appreciated the neatly formed plot, but the very short chapters felt disjointed; did not see this as an award-winner
Drop Dead Healthy: One man's humble quest for bodily perfection, A.J. Jacobs
read on Kobo, purchased spontaneously due to direct marketing in my inbox (Kobo marketers, pat yourselves on the back), on sale; but now I wish I had a hard copy so I could lend it to friends
* gentle humour rather than laugh out loud, but very entertaining narrator/narrative, full of interesting health-related tidbits, though I skipped the long list of tips at the back; easy-feeling writing that makes me want to write non-fiction too
Pippi Longstocking, Astrid Lindgren
copy from our shelves, bedtime reading for children
* early chapters much stronger than later chapters, but this character is timeless (hard to believe the book was written more than 60 years ago!)
The Financial Lives of the Poets, Jess Walter
library copy, looked up after reading Beautiful Ruins
* laugh out loud funny, kept trying to read lines to husband; then it ended up being all moving and I'm surreptitiously wiping away tears while finishing the book on deck at a swim meet; husband now reading too, and hugely enjoying
* I keep recommending this book to random parents I sit beside at swim meets; my 10-year-old swim kid is reading it too
* absolutely loved this collection; secretly want him to write a whole novel based on the fabulous, weirdly sexy, completely real-feeling story "Wonder About Parents"
* suspiciously black-and-white reporting, irritating men's mag tone, but interesting and hard to put down, and we are now eating chia seeds for breakfast
Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris ..., Leanne Shapton
* too much like flipping through a magazine, gorging on pictures; I guess I just crave text